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As Murray told Empire, "We all felt mad had left us, and somehow I was the anointed avenging angel, who had to speak for everyone." The two came to blows, with Chase comparing Murray's face to the surface of the moon and Murray dubbing Chase a "medium talent." Things got so heated that Murray's brother, Brian Doyle-Murray, had to break the two up.And, bringing his act to Maui is a bonus for him. Bill Murray, who was hired as Chase's replacement, felt protective of the cast and started a fight with the host backstage. When he came back to host in Season 3, the cast was still stinging from Chase leaving. Hollywood beckoned, and Chase left SNL after only one season.
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(See his infamous Comedy Central roast for proof of how the comedy community feels about the Fletch star.) Chase was a breakout star during SNL's first season, thanks to his Gerald Ford "impression" and snarky Weekend Update hosting, where his catchphrase ("I'm Chevy Chase, and you're not.") and movie star looks set him apart from the rest of the Not Ready for Primetime Players. It's no secret that Chevy Chase isn't exactly the world's nicest guy. In the end, Lorne Michaels chooses to save only Jon Lovitz, while everyone else is left to a fiery "death." That didn't sit well with the rest of the cast.
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For the season finale, Robert Smigel wrote a sketch playing on dramatic TV cliffhangers where host Billy Martin sets fire to the studio and the entire cast is trapped in a burning dressing room. Newbie performers Nora Dunn, Dennis Miller and Jon Lovitz were standouts, but the cast (which included some holdovers from the Ebersol years) failed to gel, and the show floundered, with lackluster sketches and a bizarre episode "directed" by Francis Ford Coppola. Michaels attempted to boost ratings by stocking the cast with established Hollywood stars like Randy Quaid, Anthony Michael Hall, Robert Downey, Jr., and Joan Cusack. The ship was sinking: Ebersol had pitched the idea of abandoning the live format and using pre-taped segments for season 11, and NBC was planning to cancel the show unless Michaels returned.
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Lorne Michaels returned to the show after five years in Hollywood working on the failed sketch series The New Show and movies like Three Amigos, replacing exiting producer Dick Ebersol. The '85-'86 season was a rough year for SNL. Developed in 1990 by a writing staff that included future comedy luminaries Conan O'Brien, Robert Smigel, Al Franken, Greg Daniels ( The Office), and George Meyer ( The Simpsons), The Saturday Night Live Movie would've been an anthology-style sketch comedy film in the vein of The Kentucky Fried Movie and Amazon Women on the Moon.Īmong the sketches in the script discovered by Hitfix's Drew Mcweeny are a parody of E.T., a series of PSA-style spots where celebrities like Christopher Reeve and Clint Eastwood argue about what their charity is actually raising money for, and a musical spoof co-written by former SNL writer/current senator Al Franken called "Crack Rap," which Mcweeny describes as "one of the least funny and most unintentionally racist things I've ever read."
While characters ranging from beloved (Wayne and Garth) to yeah-I-guess-that-was-funny-for-five-seconds ( The Ladies Man) have scored movies, there was a time when SNL itself was going to be the subject of a big screen outing. At that moment, cast member Gilda Radner walked into the dressing room, creating a moment as awkward as Berle's episode. It was like a pepperoni," Zweibel recalled. Writer Rosie Schuster revealed in the book Live From New York: The Complete, Uncensored History of SNL that Berle's mugging, pratfalls and spit takes during sketches was like watching a "comedy train accident in slow motion on a loop." Writer Alan Zweibel even got confirmation of the size of Berle's much-discussed anatomy when the comedy legend pulled out his "anaconda" in the dressing room. But "Uncle Miltie" was famous for his tendency to upstage other performers, something which didn't exactly ingratiate the randy comedian with the Not Ready for Primetime Players.īerle's episode proved to be one of the most notoriously awful in SNL history, with the comic's Catskills-honed routine working against SNL's edgy material.
When Milton Berle hosted SNL in April of 1979, it was seen as comedy's old guard passing the torch to the new class.
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